Dec.
7 , 2008
Shooting skiers in powder can be challenging, fun and financially rewarding,
writes Turner. In this column, the photographer offers some valuable
tips for making great ski photos when the weather cooperates.
For this column, click here.
Dec.
3, 2007
Turner writes about his time in the Peace Corps and how it started
him on the road to his calling in photography. "My interest in
photography grew out of culture shock caused by living in a small
town on the Haitian border," says Turner.
For this column, click here.
Nov.
5, 2007
Ballet, like sports, is about action and athleticism. Turner wasn't
particularly happy with some regular studio shots he made for the
Pacific Northwest Ballet. Things changed when he convinced the dance
company to let him do it his way for a poster.
For this column, click here.
Oct.
1 , 2007
Shooting bikers on their Harleys proves to be an adventure of significant
proportions for Turner. However, the adventure resulted in some unusual
images and even an article in Seattle Magazine.
For this column, click here.
Sept.
4 , 2007
Turner sold his first photographs while working in the Peace Corps
during the late1980s. Though most photographers remember their first
sales, few have stories like Turners tale of Herr Doktor Dolkmann,
an itinerant fortuneteller.
For this column, click here.
Aug
6 , 2007
Couples are the foundation of human society. Frequently they evolve
into families. Many ads and articles require photographs of couples
to sell products or to illustrate ideas. As a result, there is a big
demand for photographs of couples.
For this column, click here.
July
2, 2007
Using your own children as models for stock or assignment shoots is
not exploitation.It can be good business and fun for both the parent/photographer
and the child, according to John Terence Turner.
For this column, click here.
June
4 , 2007
After looking at too many staged photos of women boxers, Turner set
out to create some images that looked authentic. A real professional
female boxer and a gym in an older part of Seattle resulted in several
gritty images that show something real about the sport.
For this column, click here.
May
1, 2007
After looking at the results of a previous successful shoot, Turner
started exploring new ideas for shooting the same subject in a fresh
way. In this column, the photographer discusses the importance of
making every image different from previous images and from those being
produced by other photographers.
For this column, click here.
April
1, 2007
It can be argued that some good photographs invent themselves. The
photographer need only stumble upon the scene and shoot the picture.
It does happen that way, with some scenics, for example. Yet most
good stock pictures require much more planning and execution. But,
even before planning and execution there must be an idea.
For this column, click here.
March.
5, 2007
Figuring out which images will sell the best as stock photos is one
of the hardest parts of being a stock photographer. In this column,
John Terence Turner takes a look at two similar images, one that sold
well and on that did not.
For this column, click here.
Feb.
1 , 2007
In-camera light meters can usually do a reasonable job of finding
an acceptable light reading, but professional photographers still
spend a lot of time understanding the finer points of exposure. Without
such knowledge, Turner could never have created this unique image
of a new jetliner.
For this column, click here.
Jan
3 , 2007
One rarely gets the opportunity to shoot a subject who has made a
difference in his or her sport. Turner created a best-selling image
when presented with the opportunity to shoot moguls skier Bob Burns
at Sun Valley.
For this column, click here.
Dec.
11 , 2006
The best stock photos are usually the result of careful planning.
For this image of a one-horse sleigh, Turner had a full year to think
about his original concept. The extra time paid-off in an image that
has sold well.
For this column, click here.
Nov.
15 , 2006
Being successful in stock photography depends on what a photographer
shoots as much as how well he/she shoots it. Turner compares two kinds
of climbing shoots to emphasize the importance of making good business
decisions.
For this column, click here.
Nov.
1, 2006
In this column, Turner compares two shoots, one that went well and
one that didn't, to illustrate the need to be careful when casting
models who will be attempting difficult sports feats.
For this column, click here.
Oct.
16 , 2006
Creating interesting visual juxtapositions can help make an image
more interesting. Turner used the city as a background for this photograph
designed to showcase Patagonia's foul weather gear. The contrast between
the red sail and the almost colorless background also helps this photo
succeed.
For this column, click here.
Oct.
2 , 2006
Areas of high tonal contrast can attract the viewer's eye to important
details within an image. In this column, Turner discusses how he used
this compositional technique when he created two of his most famous
images. Both were printed on Nike posters.
For this column, click here.
Sept
15, 2006
John Terence Turner completes his series about photographing motion
with a column on stop-action photography. The use of high shutter
speeds can produce images that show things never noticed in real life,
like a volleyball player floating above the sand.
For this column, click here.
Sept
1, 2006
Having discussed panning in the previous column, Turner now focuses
his attention on another technique for conveying the idea of motion
in a still photograph. for this image, the author attached the camera
firmly to the moving platform, in this case a mountain bike.
For this column, click here.
Aug.
15, 2006
Panning is an advanced technique that can significantly improve action
images. However, it takes a lot of experimentation and will result
in many discarded images. Turner offers some solid advice for photographers
who want to try this approach.
For this column, click here.
Aug.
1, 2006
Anything can go wrong when shooting on location. That's why professional
photographers always prepare for as many eventualities as possible.
In this case, even a drenched camera did not stop the author from
returning with the images his client requested.
For this column, click here.
July
17, 2006
When he found a model that was good at many sports, enthusiastic and
easy to work with, Turner did what any good stock photographer would
do – he hired her as often as he could. This is the last
of four columns on working with models.
For this column,
click here.
July
3, 2006
Photographing children or animals can be very difficult. Shooting
the two together can be a disaster – or, if one is lucky, the
formula for a highly saleable image. Turner pulled it off very well
for this emotion-packed image that has sold many times.
For this column, click
here.
June
15, 2006
In his previous column (below) Turner discussed working with non-professional
models. This column is about working with pros, but asking them to
do something they have never tried before.
For this column, click
here.
June
1, 2006
Using real people as models can be rewarding and challenging at the
same time. In this column Turner offers some valuable tips about photographing
non-professional models like this 15-year-old "homeless" teenager.
For this column, click
here.
May
15, 2006
This close-up view of a ships bow heading straight for the camera
is a good example of how much work can go into an image that looks
simple and spontaneous. It also shows how valuable a helicopter can
be in some situations.
For this column, click
here.
May
1, 2006
Designers don't always realize what they are asking, but good shooters
deliver anyway. John Terence Turner wasn't thrown by a request to
put a mountain into mountain biking. He already knew where to find
the ideal location.
For this column, click
here.
April
15 , 2006
Sailing, like many subjects, is photographed frequently. In this column,
John Terence Turner uses four images to show how good photographers
look for and find fresh approaches.
For this column, click
here.
April
1, 2006
Subjects lit by different light sources can look very different
in the final image. Turner used the difference between cool daylight
and warm incandescent light to make this humorous image of Louie,
his affectionate 60-pound Standard Poodle, looking for a midnight
snack.
For this column, click
here.
March
15, 2006
Turner found it difficult to photograph this young couple from the
roller coaster seat in front of them. The photographer decided to
use remote equipment to trigger a camera attached to the car in
front of them.
For this column,
click here.
March
2, 2006
It took John Terence Turner two years to find the right location
for this image of a female rock climber under a ledge. Then it took
two trips to the shallow cave to get the image he envisioned.
For this column,
click here.